Sneak preview

I had a good, full weekend and took tons of pictures, most of which I accidentally deleted.

I did a fair bit of knitting, including finishing the last sleeve for Flicca and doing the collar and edging. Here's a sneak preview, just needing to have her sleeves sewn in and sides seamed:
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I'll probably get that done tonight, maybe even will wash and block it, but won't have time to buy buttons until the weekend, so a modeled shot won't happen for another week or so.

And some jewelry...

I've been making and stockpiling jewelry for the great! big! etsy! reveal!, but haven't been happy with any of the photos I've taken of them. This weekend, I finally figured out when the light in my apartment is just right for this kind of shot. Unfortunately, it's not a time when I'm usually home, but I'm going to make a point of being around next weekend to do more. Here's a sample:
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Sticks and stones and sealing wax

This phrase popped into my head yesterday morning while I was waiting, full of challah french toast with fresh berries, for the train back to Brooklyn. I had just had an early breakfast with a high-school friend who was in town briefly and I was reading this book, a section about the popularity of "wonder cabinets" in Europe during the time period when explorers where just starting to bring back stories and odd items from around the world and how it was really just totally blowing everyone's minds in a way that we can't comprehend. Like, they had never thought of a world in which, I don't know, rhinoceroses existed and now that they know about rhinoceroses, there could be SO MANY more fantastical creatures out there, just walking around, and there was a sense of wonder and magic and anticipation of more.

It blew my mind a little, just thinking about it, actually.

And I was thinking about the idea of a wonder cabinet as a jumping-off point for this jewelry business thing, which is when the phrase popped into my head. It turns out that I had actually misremembered the line from the Walrus and the Carpenter ("The time has come, the Walrus said, to talk of many things/ of shoes and ships and sealing wax, of cabbages and kings.") but I like my version better. It's kind of long though, so I was thinking of shortening it to Sticks and Stones and then using sealing wax on the tags as an inside joke with myself, but someone already has registered the name Sticks and Stones on etsy. Annoyingly, they haven't ever listed an item nor signed in since July 2005. I still like the idea of tags with sealing wax though, so it wasn't a total wash. And I like the idea of a wonder cabinet as a theme around which designs can coalesce. Otherwise, it's just a bunch of necklaces and who cares, right? Someone does have the name "wundercabinet" on etsy, but I don't feel the need to be literal with the name. And if I name it after myself, I can change the theme whenever I want.

Other than that, there hasn't been a whole lot of note going on this week. I'm working on a sample scarf that's due next Monday, so no knitting progress that I can share. I haven't felt much like cooking—I've had oatmeal or cold cereal for dinner at least three times this week—so no food talk. I went to Metalliferous last weekend to get some sterling chain to use to make jewelry samples, but I haven't done anything with it yet. I have most of the NYPL's soapmaking books at home, but haven't taken the time to read through them. I did get around to joining the Park Slope Food Co-op so there should be more posts featuring tons of gorgeous organic produce, raw milk cheeses and things like wild boar mini roasts and D'artagnan duck bacon. Seriously, I can't believe I didn't do this sooner. The prices and the quality are unbelievable. Organic apples for 83 cents a pound. Stonyfield yogurt half the price of my local grocery store. Organic grass-fed beef for $4.99/lb. Yes, it's a hike from where I live, but it's worth it. And the increased amount of organic and minimally processed food I'll be eating should just about counteract the effects of crossing the Gowanus Canal whenever I go there.

Really exquisite polymer clay work

I was just going through my jewelry box and came across a pair of earrings that I bought from this woman at a juried craft fair in Idaho a few years ago. Since I happened to remember her name, I figured I'd toss it up here right away. Her work is beyond anything I had ever seen before or since. The level of detail on such a small scale is awe-inspiring. And it's all beautiful. I love to see someone doing amazing work in a medium that isn't generally thought much of. I have to wonder what's next. Bring on sophisticated decoupage! I want to see gorgeous macaroni art! Show me fantastic paper bag puppets!

Buttons, beads, and bathing suits

This morning, I went up to M+J to get a button for Cece. I think I must have chosen the absolute least matchable color possible to knit this sweater. All of the reds were too red, none of the pinks were red enough. The one I got will work color-wise, I think, but it may be too busy with the lace pattern. We'll see. You can all lambast me once it's done.

Since I was in that part of town, I stopped at my favorite bead store to see what they had. This place is not great for findings and not where you want to go if you want your hand held while you pick stuff out, but they have the best (and best-priced) selection of semi-precious beads I've ever seen. I got the supplies to make these:

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They're strung on stretchy stuff right now, but the stones are heavy enough that I want to restring them onto fishing line. I just wanted to make sure the color placement was okay and that the lengths worked without interfering with each other. (they do.) I'm going to wear them tonight with a sharply v-necked black tank and short denim skirt when I go see my favorite Balkan dance band. With comfortable shoes, of course, for dancing.

Since I was over by Herald Square, I stopped into the big H+M [sidenote: Viktor and Rolf are the next designers to work with H+M? where I have been? that's great news!]. The clothes there are pretty easy to place in one of two categories: well-designed basics or the crap I'm going to hate seeing on everyone all season. Unfortunately, a lot of the basics are being shown in either beiges or a rather fantastic yellow-green (sort of a slightly browned-down chartreuse), both of which are not kind to the fair-skinned girl. Seriously, I'd be lucky to hit 'death warmed over' in either color. That green especially makes me look more like 'death left out in the rain after a rough night drinking.' But the good news is that I bought a couple of bathing suits. The one that I currently have is an extremely unflattering child's two-piece that I bought in Puerto Rico last November when I couldn't find anything else in New York, online or in PR and I just needed something to swim in. H+M is currently stocking some great suits--I got a couple of pin-up-girl-esque halter top and plain bottom combos that should serve me well for a while.

Also, and it pains me slightly to admit it, I bought a headband. A headband, people. I ask you. I can only assume that it was being in such close proximity to so much trendiness while I waited in line for the dressing room. All I need is a pinafore and someone to dress up as the White Rabbit and I'm all set for Halloween as Alice in Wonderland.

I've had a couple of off-blog questions about how I liked knitting Cece. Honestly, it's a fantastic pattern. It's extremely well-written, has some clever yet simple details that elevate the piece fit- and finishing-wise, and contained no mistakes that I found. I made one simple change, which was to add about 2" to the length of the body to accomodate my freakishly long torso. The only caveat I'd offer is that there are several things going on at a time that you have to pay attention to. It's not difficult, but for someone like me who tends to think she'll remember what's going on and then goes through weeping, wailing, and gnashing of teeth while trying to piece it all together when she forgets, you'll want to plan ahead. The way I kept track is with this notebook.

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You can see on the right-hand page that I've written out the pattern rows of the lace pattern. (Since you have to buy the pattern--see the above link--to know what to do with those rows, I don't think I'm giving anything away here.) Below that, I wrote out a little map for myself that tells me how many plain stitches, how many repeats of lace, and how many increases I've added. One the left-hand page, I've just listed column after column of numbers that correspond to the pattern rows. I count ahead and indicate by circling or ticking next to the number whether I need to increase or decrease. Then I cross the row off once I've done it. That way, if I put the project down for a few days, I can tell at a glance what row I left off and how long it is until I need to take some kind of action.