Book meme

I just spotted this over at The Thoughtful Dresser and thought it could be entertaining.
1. Pick up the nearest book.

2. Open to page 123.
3. Find the fifth sentence.
4. Post the next three sentences.

Since I'm at work, the closest book at hand is a galley for an erotica by Carole Hart called Pleasure U (tagline: A real education for the whole student body...) and the clues lead me to:

"This was Babylona! The Babylona! For years, Brandi had been longing to meet her face to face. And now that she did, all she could think of to say was I'd like to see you go without fucking for a week!"

You're welcome.

What I've been...

...knitting. Still Geraldine. I should be able to finish it this weekend. I have maybe half an hour's work on the collar, then I can put all of the live stitches on a string and try it on to check the fit. I've also been working on socks for my mom for Christmas (no family members know about the blog, so I'm not giving away secrets here...) I've been trying to make a point of working at least a little bit on the pink mohair scarf and the entrelac scarf every couple of days, just to avoid complete stagnation.

...cooking. I made a pot of mushroom barley soup the other night, which was fine, but not great. A little on the bland side. I do like this picture of barley marooned on a bay leaf though.
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...reading. I've been reading Kate Atkinson's One Good Turn on the train and Jonathon Strange and Mr. Norrell before falling asleep. I took my Fran Lebowitz Reader off the shelf a few days ago and have been leafing through it and reading an essay or two here and there, but it's making me a little prone to misanthropy and ranting, and I think I should limit my exposure.

...losing. The trivia contest the other night. We put in a poor showing, especially since we were down by two players. My goal had been to not come in last, and we achieved that, so I guess I can't be too unhappy. Maybe I just need to set the bar a little higher? I did get to see NipperJen though, which was a nice surprise. One of my friends was looking across the room and said, "hey, I like that girl's hair," and I turned to look and was like, "hey, I know her!"

...mourning. Blueprint. I really liked the magazine. I liked the varied content and the assumption that just because you like to cook and make things doesn't mean that you're not interested in shoes and lipstick. And vice versa. But I think it suffered from a similar lack of focus as my very own personal blog, actually. The editors seemed to think that because their readers were interested in a wide variety of topics (books and music and fitness and home stuff and cooking and crafts and fashion and make-up and travel and design and movies and decorating and...), that they could just keep throwing anything interesting at them and it would make a good magazine. And I thought it did, but I can see where advertisers and stockholders would think it was a little all over the place. And it's fine here (I wouldn't have it any other way, actually), because there's nothing at stake and if I feel like putting up pictures of crumbling walls for three days and then talking knitting and then taking pictures of my new shoes (which I did but haven't posted because all of the pictures made my feet look either really loooooooong or so stumpy as to appear square) and then saying 'hey, look at this soup and that piece of barley but it wasn't good enough to tell you how to make it,' then I can. And people will either keep reading to see what I'm up to or they won't, and obviously I'd rather they (you!) did, but there's nothing riding on this enterprise except my very sense of self worth.

I wasn't even going to address their decision to fold Blueprint content into their weddings publication, but I will say this: barf. Just ... barf.

Day 28

NaNo count:
Have: 46,722
Need: 46,676

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A book recommendation: Sharp Objects by Gillian Flynn. Hands down, one of the best books I've read this year. It just floored me, one of those books that I found myself unwilling to put down and devoured in under 48 hours. And we're talking weekday hours here, with work and sleep and NaNo writing and cooking and eating and attending to at least basic hygiene that all had to happen too. I read while I was brushing my teeth because I didn't want to stop for those few minutes.

We had an interesting conversation around the office the other day about where the line is between deeply flawed characters and irretrievably unsympathetic ones. I hadn't read this yet at that point, but it's a perfect example of a main character who is profoundly damaged and makes fairly tremendous mistakes, but who the reader (or at least this reader) supports without question. The basic plot is this: a Chicago newspaper reporter with a long history of self-destructive behavior and who is recently out of an institution is sent to her Missouri hometown to report on the unsolved murders of two young girls. While she's there she has to deal with the bizarre and creepy family she hasn't spoken to in years as well as become involved in the investigation.  It's all so rich and beautifully written, and intensely creepy in a way that is sustained throughout the book, growing imperceptibly until the final reveal.
Excerpt here.

What I've been...

Reading: I started A Tenderness of Wolves by Stef Penney a few days ago, based on Anna's review of it. So far, I'm really impressed by the writing and characterization and am completely sucked in, wanting to know what happened and why and how all of these people and events are connected. It's a dense and chewy kind of book, which I mean in the best possible way. It needs attention and rewards it.

I interviewed the author of Eleanor vs. Ike last week and read about half of the book before I had to hand it over to the reviewer. I'll go back to it after she's done. It's an interesting, well-researched look at what might have happened if Eleanor Roosevelt ran against Eisenhower in the 1952 presidential election.

And my drifting-off-to-sleep book at the moment is Madeleine L'Engle's A Swiftly Tilting Planet.

Cooking: I made one of my favorite quick, good-for-me dinners last night: pasta with broccoli rabe and dandelion greens last night, which was delicious. It was also the only time I've ever really, really wished I had a sous chef or personal assistant or helper monkey — anyone to do my prep work for me. I'm used to greens, especially farmers' market greens, having literal dirt on them — and I expect them to. But both batches of  greens last night were so sandy and dirty that I had to rinse each of them at least five times in the ol' salad spinner. I could have repotted a plant with the dirt I rinsed away. 

Knitting: Gina recently posted about counting her active projects, inspired by the Knitting Daily poll. I figured that I might as well take stock of mine too.

Active:
1. Kerry Blue shawl. I just finished the last patterned section last night and have a lot of stockinette to go, then the outer border, then I need to figure out what kind of edging I want. I don't like the crocheted loops especially.
2. Hex Coat. Still working on the sleeve
3. Flicca. No progress
4. Black cashmere scarf. I don't know if this should really be on the list since I finished the knitting yesterday, and just need to wash and block it. This will be quite possibly the least exciting knitted object that you will ever see. Also, I will quite possibly wear it every single day this winter.

Not Quite Active But Still in the Game:
1. Entrelac scarf. No real reason I haven't been working on it. It takes attention and the shawl has been scratching that itch for me, really.
2. Cotton cardigan. I need to do some math and see how I can maintain the patterning while doing the yoke decreases.
3. Opal socks. One done, one started. I want to finish these up soon and give them to my mom for her birthday in December.
4. Red and white socks. I wasn't happy with the heels, not sure about the fit on the foot. Might just start over, top down.

Spinning: Some grey romney and something(?) with a little bit of glitz from Fantom Farm. Bought at Cummington maybe five years ago? I don't have much of it, so it'll probably end up as a scarf eventually. I love scarves.

Watching: Just finished the first season of 30 Rock, working my way through Freaks and Geeks. Thinking I want to get back to the movies in my queue. And go to the movies.

Plotting and planning: Good stuff. Lots of good stuff.

Things I've read lately

1. The Isabella Blow profile in New York magazine.

2. Confessions of a Teen Sleuth. It's a parody of Nancy Drew and a quick, fun read. I interviewed the author recently about her upcoming thriller and she's great, one of the very few pieces I've written where I wished I had a lot more space to write about her. All of the books she's written have been wildly different from all of the others: a hippie handbook, self-help book for superheroes, a memoir when she was 24 and now a really dark, edgy thriller. She made a great comment about deciding to make a living as a writer being an "assholish" thing to declare, which quote I did not use in the article and have filed away in the same mental folder as my memory of Barbara Taylor Bradford telling me in her ultra-posh accent that the sex scenes in her books "are not about the size of the penis, but what he's thinking while he uses it."

Another recent interview that I enjoyed was Sarah Andrews, a geologist and author who wrote a mystery set in Antarctica, where she traveled for several months to do research. The National Science Foundation has an Antarctic Artists and Writers Program, which provides grants for people who need to go there for non-scientific research reasons. How cool is that? It makes me want to come up with a project I could submit a proposal for. Last month? The month before? when I wrote the piece, she had extensive journals and photographs on her website chronicling her time there, which were awesome, but I couldn't find that section just now when I was looking, so she may have taken it down now that the book has been released. I haven't read it yet, but I have a copy and I will.

3. Barbara Kingsolver's Animal Vegetable Miracle, which I've been meaning to write about for a few weeks now. From the site: "Part memoir, part journalistic investigation, this book (released May 2007) tells the story of how our family was changed by one year of deliberately eating food produced in the place where we live."

There's been a lot written in the last few years about the political and environmental and personal effects of eating locally produced food, by loads of writers far more knowledgeable on the subject than me. I just googled "eating local" and came up with pages and pages of thoughtful, interesting links. One of the reasons why I haven't written about the book before is that I feel like I should write a real review of it, where I tie it into the larger picture of food choice as political statement and quote Rush and Chomsky on the topic of why exempting yourself from the decision process is still a decision. This mythical real review would discuss what I liked about the book (a lot! loads! all of the naturalism stuff and much of the why-eat-local discussion) and where I thought it was weak (arguments about eating locally and organically being as cheap as not; if I had a garden somewhere with a long growing season and a huge freezer and a full-time, successful writer's flexible hours, maybe. in my current situation, not even in the same universe.), but I just haven't the mental acuity to put it all into words  and I don't think I'm well versed enough on the subject to do it justice so I'm just putting out a half-assed write-up and a long quote.

I would definitely recommend it highly. I keep thinking about it, remembering her discussion about how to start (and keep) an asparagus bed, or how to look for morels, or the absolutely riveting chapter about getting her turkeys to breed. That one is worth the price of admission, no question. Also, she talks about making their own cheese, which is something I've read up on in the past and have been meaning to try. I really love fresh mozzarella and when I lived in Brooklyn, there were plenty of places near my apartment where I could get the good stuff. This part of Queens, not so much. If I could make it myself, I'd be a happy, happy girl.

My favorite thing about the book, though, is reading about how much more connected they all felt to their food, the way that the process of growing the food or sourcing something locally made them an integral part of the food's production, not just the consuming entity. The following excerpt really resonated with me and I typed it out before I returned the book to the library. I forgot to write down the page number though — mea culpa!

"Once you start cooking, one thing leads to another. A new recipe is as exciting as a blind date. A new ingredient, heaven help me, is an intoxicating affair. I've grown new vegetables just to see what they taste like: Jerusalem artichokes, edamame, potimarrons. A quick recipe can turn slow in our kitchen because of the experiments we hazard. We make things from scratch just to see if we can. We've rolled out and cut our pasta, raised turkeys to roast or stuff into link sausage, made chutney from our garden. On high occasions we'll make cherry pies with crisscrossed lattice tops and ravioli with crimped edges, for the satisfaction of seeing these storybook comforts become real.

"A lot of human hobbies, from knitting sweaters to building model airplanes, are probably rooted in the same human desire to control an entire process of manufacture. Karl Marx called it the antidote to alienation. Modern business psychologists generally agree, noting that workers will build a better car when they participate in the whole assembly rather than just slapping on one bolt, over and over, all the tedious livelong day. In the case of modern food, our single-bolt job has become the boring act of poking the thing in our mouths, with no feeling for any other stage in the process. When I ponder the question of why Americans eat so much bad food on purpose, this is my best guess: alimentary alienation. We can't feel how or why it hurts. We're dying for an antidote."

4. I'm tired. I'll write about more books later.

Best hug ever.

Look who I met at Book Expo on Friday:
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Laurie!

She gave me a truly fantastic hug and I met her parents and her aunt and we talked about the central dividing issue between New York and Los Angeles: crossing against the light. I am of the mind that you should be able to walk whenever it's safe to do so, which is pretty much the prevailing opinion in these parts. People have radically differing interpretations of "safe," of course. Believe me, I'm not cavalier about it. I'm cautious to the point that D asked me once if I'm afraid of crossing the street. I just don't see that there's any reason to stand around waiting if you can keep going. I'm not surprised that Laurie was a little freaked out about it though. I know a couple of people who spend a lot of time in both New York and LA and that's one the biggest culture shock issues they all talk about. I first became aware that Californians just don't do it when I was there a few years ago. I was walking around and came to an intersection where there was quite literally not a single vehicle in sight, parked or moving — and these are flat roads, no hills to contend with. So I crossed the street (of course. duh.) and I heard a little boy behind me yell out in a truly anguished tone of voice, "Mommy! She's walking when it's red!" 

I got a copy of the book, started it on the train home and finished it last night. It's great. If you've been reading her blog for a while, you'll recognize some of the events on the timeline, but the book gives them a different spin. While the familiar and hilarious blog version of her trip to Paris is here, the book version expands a lot more on her feelings about seeing the couple at the Eiffel Tower and how it leads her to realize that she's ready for the possibility of love in her life again; though sadly there's no mention of the Mary Poppins Gang. I can't get enough of the Mary Poppins Gang. If the blog is like a friend picking up the phone and telling you exactly what's going on right this minute, the book is like she waited and gained some perspective and then wrote you a letter giving you a broader outline of the events, as well as what she learned and how each phase of grieving her marriage led her to the next. It's still funny, of course, (how could it not be?) but it's also thoughtful and introspective and hopeful and runs the emotional gamut from pure despair to real joy. It was an absolute pleasure to read.

Miranda July

I managed to use my wee smidgen of publishing-industry clout to get a copy of Miranda July's new book even though it doesn't come out for another few weeks.

If you haven't checked out the website for this book, go now.

It's so good. SO good. Honestly, it not only lives up to all of the advance praise, it transcends it. I'm limiting myself to one or two stories at a sitting so I can savor them, the way you're supposed to pace yourself with excellent chocolates. The writing is beautiful and smart and funny. It feels like when I first read Amy Hempel when I was in high school, but better because July's book is warmer and somehow even more vulnerable.

I feel like my days are better for having read one of her stories before I leave the house. I can't recommend it highly enough.

Possible apartment news tonight....

Nightwatchgirl

Back when I was a wee pup in my early 20s, I used to have brutal insomnia. At least once a month I'd have a night or two when I just wouldn't sleep. I had a couple of years where I only slept a few hours a night and I had trouble both getting to sleep and staying asleep for very long. (I come by it naturally—my dad's the same way.) Luckily, those years coincided with the period of time when I got really into knitting and spinning, so at least I had something to do that didn't disturb the neighbors, and I had some good local bars where I could wander in in my pajamas and play Trivial Pursuit with the bartenders into the wee hours if I got sick of my own company.

I've been on a relatively normal, 6–8 hours-while-it's-dark sleep schedule for a while now, but once in a while I'll have one of these nights where I don't sleep. I figure it's just the way I'm wired and try to enjoy it. I like being up and prowling around when everyone else around is asleep. It makes me feel like I'm looking out for them, for my roommates in particular and the neighborhood and rest of the world in general, and I feel all warm and affectionate and Nothing Is Going To Happen To You On My Watch and earth-mothery, like maybe I'll make a batch of muffins or homemade granola to have ready for breakfast. It's nice here at 4 in the morning. The kids across the street are quiet for once (don't even get me started), there's no traffic right now, nobody yelling outside my window for no particular reason, no kids from the daycare downstairs shrieking outside the back window, the mouse has been captured so I don't have to worry about that...

The Great Mousaccre happened this morning before I got up. I had been really opposed to using glue traps (on grounds that they're mean) and made the roommate on mouse detail promise that he would dispatch it quickly when the time came.  It did, and he did, and I can't begin to describe how grateful I am that I didn't have to do it. I would have done it if I had to, but I can't imagine any scenario that wouldn't have had me sitting on the floor sobbing, followed by some Lady-Macbeth-level handwashing and possibly a stint volunteering for whatever mouse-centric charity groups I could find. I had already agreed to fix some seams in a pair of his jeans today, but added this to the back pocket to mark the occasion. The embroidery floss is a much darker grey than it appears in the picture, almost the same tone as the denim.
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Nothing like a little gallows humor to perk a girl up.

I went to a party tonight to celebrate the release of a book my friend Elyssa did with Sandy Black (yes, that Sandy Black). I'm so proud of her. It's a huge accomplishment and the book is beautiful. I couldn't fit my camera into the bag I brought with me (black beaded vintage clutch; lovely but small) so no pictures. It was at the kind of super-swank place that I would never in a million years think about actually going into on my own speed, so that was fun. I got to see a bunch of friends from grad school I haven't seen in a while, heard that a bunch of them read the blog (hi!), managed to get a couple of drinks before the open bar shut down, and did some kickass people-watching (new motto: it's not really a party until there's a guy in a corset). (related: best line to make new friends: "do you know who the guy in the corset is?")

I did end up making pear sorbet yesterday. It's good, subtle but refreshing. And really easy. I'm especially proud of it because I made it up. I'm certainly not taking credit for the idea, but it's the first time using the ice cream maker that I made something without following a recipe and I'm happy with the result.

Pear Sorbet

3 c. pear juice
1/4 c. sugar
juice of two lemons
zest of one lemon
15 oz. can of pears in juice, chopped into pieces about the size of chocolate chips

Heat some of the juice with the sugar until it's dissolved. Mixture with the rest of the juice, the lemon juice and the zest. Chill. Freeze in the ice cream maker and, right before it's done, add the pears.

Also, I had dinner at my friend Erin's over the weekend and one of the things she made (in addition to some tasty chicken and roasted asparagus) was a beautiful, delicious, surprising salad of peaches, fresh mozzarella and basil, with a little olive oil and balsamic vinegar. I'm making a yummy sound (just watched Young Frankenstein) just thinking about it.
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The word I'm looking for definitely isn't 'ambivalent'...

..but I'm not sure I know what it is. Is there a word for simultaneously feeling both admiration and revulsion for something like, say, a book?

The book tells the story of this woman, Julie, who decides to teach herself to cook by spending a year cooking every recipe in Mastering the Art of French Cooking. This is the admiration part. I think that's just brilliant. It's the kind of quirky, insane quest that makes me fall madly in love with the person doing the questing and extremely jealous that I didn't think of doing it myself first.

Except.

Except.

Except that I kind of hated Julie. Every detail that she revealed about herself made me revile her more. Her constant bitching about "Pushing 30" (and, yes, she capitalizes it like that every time) and not especially liking her job. That she calls her blog readers "bleaders." The way she snipes at the husband who, having read the book, I can only describe as long-suffering and possibly also paying for some extraordinary cruelties he committed in a past life. The way she breaks down and starts screaming at people when things don't go perfectly. The fact that she can't seem to mention her apartment or kitchen without the qualifier "outer-borough" in front of it. The way she had to point out every time she mentioned an obscure cooking term that it reminded her of something sexual. (We get it, you still like sex even though you're Pushing 30. You're my hero.)

I tried to paraphrase this passage, but I think it's best reproduced in its entirety:
"...I knew there'd been a bombing of an American civilian compound in Riyadh. See, Eric has an aunt in Saudi Arabia; he couldn't quite remember what city, though... Eric had been glued to the television all evening. but the news was annoyingly saying nothing at all about the bombing. He'd been making calls all evening—to his mom, his brother, his cousins—but disturbingly, no one was picking up. I knew all this, and yet I screamed and sobbed and threw utensils as if Sauce Tartare was the only thing that mattered, as if Sauce Tartare was more important than family, than death, than war."

Screaming and sobbing and throwing utensils over a sauce that's not coming together while her husband waits to see if his aunt has been killed? Who is this person and why hasn't anyone just hauled off and cracked her across the jaw yet? Has it never penetrated her self-centered bubble that there are literally millions of women who are almost or—horrors!—over thirty and have less-than-fulfilling work situations and still manage to get through the day without being complete assholes, even without their high school sweetheart around to do the dishes?

This was one of those books where I found myself talking back to the writer and what I was saying most of the time was oh, boo fucking hoo. While rolling my eyes. And wondering why I didn't just stop reading the book if I pissed me off so much.

I stuck with it for the food writing, which was okay but sort of beside the point what with all the everything else going on. I did sympathize with her trauma over killing lobsters. I've done it and when you get to that point, it's really, really hard to put a living creature into a pot of boiling water, even if you had thought about it a lot ahead of time and steeled yourself. (She made her husband do it.) And I had a good schadenfreude moment toward the end when someone interviews Julia Child and she says something not especially flattering about Julie, who screamed and sobbed about it, of course. Also, I've started and discarded a bunch of books recently—Self-Made Man (annoyed by author's "hey I'm amazed to find that these blue-collar guys aren't total dicks" shtick), The Omnivore's Dilemma (one-week limit at library, spent too much time bogged down in section about laws governing subsidies paid to corn farmers and ran out of time), Assassination Vacation (am heartbroken to discover that even when Sarah Vowell—who I LOVE—is writing about it, I don't really care about the nitty-gritty of presidential assassinations), etc.—and I wanted to actually finish a book I started.

Speaking of food writing, an old friend was telling me yesterday about all of the incredible food he ate on his recent honeymoon. He said it almost made him want to learn to hunt so he could catch his own ducks and rabbits and make his own wild game pates and whatever else from scratch. I told him that he should do it and start a blog about it, for the love of our extremely long friendship and anything else he happens to hold dear, because a blog about a smarty-pants English teacher learning to hunt, butcher and cook wild game is something I would really love to read. It'd be like a cross between a less-political Michael Pollan with a Julie Powell I don't want to strangle.

After I finished the book this afternoon, I made myself a batch of crepes to celebrate not being a hysterical freak who says mean things to people who care about me when I screw stuff up. Yay! Crepe batter is pretty simple. Whisk together 1 c. flour, a pinch of salt and 2 1/14 c. milk. Beat in 2 eggs, followed by 2 T melted-but-not-super-hot butter. Use a 1/4 c. measuring cup to mete out the batter for each crepe.
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I like this picture because you can see the measuring cup sinking into the batter like a mastodon into a tar pit. Obviously, I don't worry too much about getting rid of all of the tiny flour lumps and you don't notice them in the finished dish. Ditto on whether the crepe is actually, technically round. (and the obsessive hausfrau in me would like to point out the the stove isn't actually filthy, just old and needing to be painted. thank you.)
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I always forget to count how many I end up with, but it's enough for two people to eat for brunch with no room for anything else. If you make them for yourself, they'll keep in the fridge for a couple of days. Now, I have very strong feelings about what to fill crepes with. Savory fillings seen weird to me somehow. I'm sure I could be won over if someone made them for me, but I wouldn't do it myself. I don't like crepes with chocolate fillings. When I've been lucky enough to be eating crepes on the street in Paris, I've enjoyed both chestnut and Grand Marnier fillings, but I don't do those at home. There are people who feel very strongly that the best way to eat crepes is with fresh lemon juice and a little sugar. They are wise, these people, because that is extremely delicious, but it's still not quite right. This is the best way to eat crepes.
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A very thin smear of sour cream on one side and a very thin smear of jam on the other. There should be little enough filling that you can eat with your hands without any oozing out, if you like. Roll the crepe parallel to the filling so you'll get cream and jam in each bite. If I'm making these for other people, I'll make them all ahead of time. If it's just me, I fill them as I go. If I'm making them for people I want to pamper, impress and/or fatten up for some reason, I'll put all of the filled crepes in a baking dish, pour heavy cream over, sprinkle with cinnamon and warm through in the oven.